第九十二章 画 展[2/2页]

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    sp;   nbsp“在文艺复兴时期，新的思想和价值观取代了中世纪的那一套，人们开始更关心人而不是宗教。画家们回到罗马、希腊的艺术理论上。他们尽心地画出人和自然的真实面貌。富人们想为自己的宫殿和豪宅收藏艺术品，他们高价聘请艺术家来为他们画画，画他们的房屋、活动、还有成就。”

    nbsp“DuringnbspthenbspRenaissancenbsp，nbspnewnbspideasnbspandnbspvaluesnbspgraduallynbspreplacednbspthosenbspheldnbspinnbspthenbspMiddlenbspAges.nbspPeoplenbspbegannbsptonbspcoratenbsplessnbsponnbspreligionsnbspthemesnbspandnbspadoptnbspanbspmorenbsphumanisticnbspattitudenbsptonbsplife.nbspAtnbspthenbspsamenbsptimenbsppaintersnbspreturnednbsptonbspclassicalnbspRomannbspandnbspGreeknbspideasnbspaboutnbspart.nbspTheynbsptriednbsptonbsppaintnbsppeoplenbspandnbspnaturenbspasnbsptheynbspreallynbspwere.nbspRichnbsppeoplenbspwantednbsptonbsppossessnbsptheirnbspownnbsppaintingsnbsp，sonbsptheynbspcouldnbspdecoratenbsptheirnbspsuperbnbsppalacesnbspandnbspgreatnbsphouses.nbspTheynbsppaidnbspartistsnbsptonbsppaintnbsppicturesnbspofnbspthemselves，nbsptheirnbsphousesnbspandnbsppossessionsnbspasnbspwellnbspasnbsptheirnbspactivitiesnbspandnbspachievements.”

    nbsp“在这个阶段，最重要的发现之一是如何使用透视法来画出事物的形象。在1428年，马萨乔成为第一个在绘画中使用透视方法的人，当人们第一次看到他的画时，还以为是透过墙上的小孔，来观看真实的场景，并对此深信不疑。如果，没有透视法，人们就不可能画出如此逼真的画，在文艺复兴时期，油画也得到了发展，它使得色彩看上去更丰富、更深沉。”

    nbsp“Onenbspofnbspthenbspmostnbspimportantnbspdiscoveriesnbspduringnbspwasnbsphownbsptonbspdrawnbspthingnbspinnbspperspective.nbspThisnbsptechniquenbspwasnbspfirstnbspusednbspbynbspMassachonbspinnbsp1428.nbspWhennbsppeoplenbspfirstnbspsawnbsphisnbsppaintingsnbsp，nbsptheynbspwerenbspconvincednbspthatnbsptheynbspwerenbsplookingnbspthroughnbspanbspholenbspinnbspanbspwallnbspatnbspanbsprealnbspscenenbsp.nbspIfnbspthenbsprolesnbspofnbspperspectivenbsphadnbspnotnbspbeennbspdiscovered，nbspnonbsponenbspwouldnbsphavenbspbeennbspablenbsptonbsppaintnbspsuchnbsprealisticnbsppictures.

    nbspWithoutnbspthenbspnewnbsppaintsnbspandnbspthenbspnewnbsptechnique，nbspwenbspwouldnbspnotnbspablenbsptonbspseenbspthenbspmanynbspgreatnbspmasterpiecesnbspfornbspwhichnbspthisnbspperiodnbspisnbspfamous.nbspDuringnbspthenbspRenaissancenbsp，thenbspoilnbsppaintsnbspwerenbspalsonbspdevelopednbsp，whichnbspmadenbspthenbspcolournbsplooksnbsprichernbspandnbspdeepernbsp.”

    nbsp“印象派后期从19世纪后期到20世纪后期，这段时期欧洲发生了很大的变化，从以农业为主的社会变成了以工业为主的社会。许多人从农村迁入城市，有着许多的新发明，还伴随着许多的社会变革。这些变革也自然而然在导致了绘画风格上的变化。那些打破传统画法的人是在巴黎生活和工作的印象派画家。”

    nbsp“Innbspthenbsplatenbsp19thnbspceentury，nbspEuropenbspchangednbspanbspgreatnbspdeal.nbspFromnbspanbspmostlynbspagriculturenbspsocietynbsptonbspanbspmostlynbspindustrialnbspone.nbspManynbsppeoplenbspmovednbspfromnbspthenbspcountrysidenbsptonbspthenbspnewnbspcities.nbspTherenbspwerenbspmanynbspnewnbspiionsnbspandnbspsocialnbspchanges.nbspNaturallynbsp，thesenbspchangesnbspalsonbsplednbsptonbspnewnbsppaintingnbspstyles.nbspAmongnbspthenbsppaintersnbspwhonbspbrokenbspawaynbspfromnbspthenbsptraditionalnbspstylenbspofnbsppaintingsnbspwerenbspthenbspimpressionists，nbspwhonbsplivednbspandnbspworkednbspinnbspParis.”

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第九十二章 画 展[2/2页]

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